Given enough time, cinematic ideology ceases to matter. Who today, watching Marlon Brando seethe through On the Waterfront (1954), would ding the film’s callous portrayal of union officials? One Flew Over the Cuckoo’s Nest (1975) is affecting even in eras that practice institutionalization without apology. That the passing years sand the edges from political movies […].   Read More in Red Pill NOWlej.