Peter Hujar’s place in American photography was summed up aptly, and not a little harshly, deep within the biography of another photographer. Hujar’s career, Patricia Morrisroe wrote in Mapplethorpe, was “a shadow version” of her subject’s. “The two men might be compared,” she goes on, “to … Mozart and Salieri.”  So let’s compare. Both men […].   Read More in Red Pill NOWlej.