In Giuseppe Verdi’s La Traviata, the courtesan Violetta sacrifices her own happiness for the sake of her beloved’s family, immortalizing her love through virtuous surrender. Sean Baker’s new film, Anora, attempts a contemporary riff on this old archetype, once again placing a young woman enmeshed in transactional romance at the heart of a doomed liaison. Yet where […]. Read More in Red Pill NOWlej.
